Contributed by Molly Meyer, co-author of It’s My Company Too!
I’ve told plenty of people about running with the bulls in Pamplona. What I usually leave out is that I was the most scared I’ve ever felt in my entire life…and I’ve seen all three Paranormal Activity movies.
At the San Fermin festival I thought to myself, “How fast can these bulls really run? How close will they get to me, really?” Ha. That was before I stepped onto the world’s narrowest street next to the scariest man I’d ever seen that wasn’t acting opposite Bruce Willis in an action-adventure movie. He had chosen to run next to me for a reason. I was small, young, female, blonde… I’d run next to me too. If it came down to it and he had to out-run his neighbor, I was guaranteed hoof-meat.
I forgot to mention that I wasn’t on “vacation” when participating in this once-in-a-lifetime experience. I was traveling while working (not to be confused with traveling for work). I’ve split the last three years nearly equally between North America and Europe. In fact, I’m writing this from the stony beaches of Croatia. I’m not a full-time freelancer—although I was able to co-author a book while traveling. I’m actually the Creative Director of a marketing company based out of Chicago.
Not many people understand how I “get away” with this having a steady job while traveling the world lifestyle. But, when you understand the kinds of things you require in order to produce your best work, then both you and your organization can justify the freedom to work where you want as much as possible.
I find it extremely difficult to be in one place and pump out the same imaginative work day after day. If it’s not running with the bulls, it’s dancing at Oktoberfest or singing karaoke on a cruise ship. I crave a change in scenery, if not to satisfy my curiosity or placate my impending boredom with monotony, then certainly to enhance the part of my brain that collects life experiences, cultivates them, and spits out something new to use as a marketing bit.
Maybe I’ve never used running with the bulls as material for a client’s advertisement, per se, but I do channel the emotions I’ve experienced in situations all over the world—like the complete helplessness of mind-numbing fear—to create something that offers comfort to consumers who might be experiencing similar emotions. It’s a win-win for both me and my organization—they get a deeper chest of potential material, and I get the satisfaction of experiencing its contents.
Through all of my “experience mining,” I often find myself feeling frantic trying to keep track of the time differences, project deadlines and creative briefs while balancing my need for adventure. When I first started out, I was lonely, overwhelmed and stressed. I had to reassess my situation.
How can a committed, entangled employee of an organization have her traveling cake and eat it too?
I put together a bible of do’s and don’ts for how to maintain human contact, give my best work to my organization, and earn a paycheck.