by Pamela Weinsaft (New York City)
In my opinion, the best documentary films are compelling because they allow a glimpse of otherwise inaccessible lives and lifestyles. Think of some well-known documentaries and the stories they tell: the journey of the son of a famous yet enigmatic architect trying to piece together the story of his father’s double life (My Architect); the struggle of quadriplegic young men and their quest for the wheelchair rugby Paralympics gold (Murderball); the differing expectations and, ultimately, life paths of upper and working class Brits over the course of 40+ years (The Up Series); the determination and quirkiness of a group of humans so intent on winning a new 4X4 truck that they ignore basic physical needs and stand for days in the heat hanging onto the vehicle as if for dear life (Hands on a Hard Body).
The truth is that I’ve been collecting subjects and planning out documentary films in my head for years. Maybe other people do this; however, I think it’s particularly odd because I am an energy/international business transactions attorney by training, who, until about a year ago, had no knowledge of how to actually make films.
A documentary filmmaking class at NYU changed that, and earlier this month, some classmates and I embarked on my first attempt to put what I’d learned into practice. The International Documentary Challenge, an international contest in which 130 teams from around the world research, write, film, produce and edit a short documentary in 5 days was my trial by fire.
I know it sounds a bit crazy: my very first documentary and I’m accepting the extra pressure that accompanies the very tight timeline? That said, I found the tight timeline permitted me a certain liberty from my own high expectations. It allowed me to accept that I could not possibly make a “perfect” film. It also forced the team to make quick decisions about everything including subject matter, where to film, and what to include in the film, rather than agonizing over them. And it actually gave me the impetus to do it now rather than allowing me to succumb to inertia, telling myself that I’ll do it some weekend when I can find the time, when I’m less tired, when work quiets down. Here was a built-in deadline – no ifs, ands or buts.